Fort Knox Bars

I’ll admit it, as far as I’m concerned, this falls into the “what will they think of next…” category, but in the spirit of Gustav Klimt (who showed us the benefits of embellishing all things with gold) and since it is the season of Auld Lang Syne…silver and gold and all of that…let me introduce you to (you saw it here first!)…edible gold leaf! And yes, edible silver leaf is also a (slightly more economical) option.

In the spirit of full disclosure, I must tell you that I haven’t actually tried this. (I’m far too cheap.) But if you have money to burn…or maybe I should say digest…I’m sure these bars will make quite the impression at your next party.

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Make a Klimt-Inspired Gift Box

Even just a hint of a sparkle or metallic sheen is enough to catch our attention and get us to take a second look. Gustav Klimt knew it, and so do we…  Here’s an idea for making some decorated boxes to package your holiday gifts in that are sure to be noticed…and appreciated!

Materials and Tools:

Photo storage box, or other box with a lid that fits over the top

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All that Glitters…The Life and Art of Gustav Klimt

The Kiss by Gustav Klimt. Source: Wikipedia

This is no ordinary Golden Anniversary. In 2012, Vienna, Austria will celebrate the 150th birthday of a favorite son, Gustav Klimt with exhibitions, tours and events throughout the city. But he wasn’t always so well accepted; Gustav Klimt was one of the most innovative and controversial artists of the early twentieth century.

Early Years

Gustav Klimt

Gustav Klimt was born in 1862, the son of a struggling gold and silver engraver in a suburb of Vienna. He and his two brothers all displayed artistic talent early on. Gustav was awarded a scholarship to the prestigious Vienna School of Arts and Crafts. His brother Ernst also enrolled in the school. The two brothers and a friend, Franz Matsch, opened a studio specializing in murals, which was quite successful. So Gustav Klimt began his professional career painting interior murals and ceilings in large public buildings in the prevailing classical-realist style. In 1892, both Klimt’s father and his brother Ernst died, leaving him financially responsible for both families. It was also during this time that he met Emilie Flöge, who would become his lifelong companion. Flöge was the sister of his brother’s widow, and whether or not this relationship was sexual has been the subject of some debate among scholars.

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